4
The halls, the bells and the shrines
The outer terrace and the cloister around the chedi
Between the stairs and the chedi stand the halls (wihan in Thai), small shrines, rows of brass bells and Buddha images, each with its own visitors. People kneel in front of an image, raise their joined hands and bow three times; others light incense and candles or leave flowers. The bells are offerings too. The tags hanging from them carry the names of the people who gave them; they are shaped like leaves of the bodhi tree, under which the Buddha reached awakening.
In a hall on the north side of the cloister sits Luang Pho Un Mueang, a bronze Buddha of the late sixteenth or seventeenth century, cast in Lanna, the northern kingdom whose capital was Chiang Mai.7 In a white niche, a green-faced giant, Thao Wessuwan, guardian of the north and of riches, draws worshippers at dusk; the plaque in front of him gives the prayer to recite and what it takes: nine incense sticks, nine red roses, and the Namo, the formula of homage to the Buddha, said three times. A Wessuwan giant stood at the temple's north entrance in a photograph of the mid-1930s; when the present niche was made, we do not know.8
For you: Inside the halls, sit rather than stand, with your feet tucked to one side and never pointed at the images; one hall has a sign asking for it. You do not have to make an offering. If you want to, the simple one is a set of flowers, incense and a candle from the stalls at the foot of the stairs, placed where others place theirs. Photographs are generally fine on the terraces; in the halls, be discreet, and people praying are not a backdrop.